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About Me

Some things I love in no particular order: pizza with mushrooms, the color purple (the color and the movie), writing music, Led Zeppelin, design of any kind, my dog, my cat, my husband, traveling (I know, I know...), a real comfy pillow, laying in the sun (for an appropriate amount of time), and learning how to do new things.

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case study #1

2025|2026 Season subscription marketing campaign, Tulsa Ballet (2025
"Our most dramatic season yet." is Tulsa Ballet's tagline for the 2025|2026 season, a season full of dramatic and jaw-dropping productions. A dramatic season called for a dramatic identity.

Designer: Jessica Hanun

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we're all mad here.

Alice in Wonderland, World Premiere, Tulsa Ballet (2025)

A mad tea party needs mad marketing. My team and I worked directly with world-renowned choreographer Kenneth Tindall to bring his vision to life in this madder than mad tea party photo and video shoot. I provided the concept, designed the table, and provided photo direction.

Choreographer: Kenneth Tindall
Photographer: Jessie Kenney
Costumes: Christopher Orem
Wardrobe: Shawn Sturdevant
Tablescape: KEG Events

breakin'bricks

Breakin' Bricks, World Premiere, Tulsa Ballet (2021)

I had the honor of documenting choreographer Jennifer Archibald's journey during her time in Tulsa as she sat down with Tulsans on the 100th anniversary of the Tulsa Race Massacre to learn how the event still impacts the community today. I followed her for weeks documenting her interviews with people all over Tulsa, filming and editing a documentary-style spotlight to promote her work.


Choreographer: Jennifer  Archibald

nature's jerky

Watermelon is the new beef...or something like that. Even a simple recipe (like, one ingredient...) needs great branding. This dehydrated snack out of Stillwater, Oklahoma wanted some bright and tasty (looking) packaging. This project is in the baby stages, but will eventually include some social graphics and supporting elements.

"wherefore art thou romeo?"

The experience of attending the theater does not begin when the curtain rises. It begins well before a guest purchases their ticket. Part of their experience is the reason they are buying the ticket at all. It's the creation of this experience that produces material like this one. The purpose was to educate the audience on the source material in a different way. Yes, we can show behind-the-scenes rehearsal clips of beautiful dancing all day long, but that will only reach a certain audience. And at the end of day, people want to learn. They want to feel like they "know".

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x marks the spot

Another concept book cover I couldn't leave behind, this design was a fun custom-typeface that was meant to look like an abstract piece of treasure atop an island. Though the thought was to update the cover of this beloved tale, I still wanted to stick to the classic look of an old book that has been sitting on the shelf in your living room for sometime just waiting to be opened.

creative direction

The experience of attending the theater does not begin when the curtain rises. It begins well before a guest purchases their ticket. Part of their experience is the reason they are buying the ticket at all. It's the creation of this experience that produces material like this one. The purpose was to educate the audience on the source material in a different way. Yes, we can show behind-the-scenes rehearsal clips of beautiful dancing all day long, but that will only reach a certain audience. And at the end of day, people want to learn. They want to feel like they "know".

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